Archive for the ‘Writing’ Category

The other day I decided to write a poem. I was in a weird mood, and so the poem is weird, but I like it, so I’m posting it here. It’s written in free verse, so if that isn’t your thing…That’s fine, too. :)

Also, please don’t make any assumptions/rash judgments until you reach the end. Thank you kindly.

Oh, and all rights reserved. And all that.

I Am Not a Psychopath

I am not a psychopath.

I kill people most violently

I dream of ways to poison a man

I make everyone’s life as miserable as I can

I manipulate people’s emotions

I turn sister on brother

Friend on friend

Villain on sidekick

I revel in anger



And most of all

Tragic backstories

I can’t help but imagine every way a situation can go wrong

I’m like a walking Murphy’s Law

No, I am not a psychopath

I’m just a writer.

(the end)

So, there you go. I hope you enjoyed it. If you didn’t, please go away.

Anyways, uh…


The Wolverine poster_1

Admit it, you’re excited about The Wolverine. Also, I’m thinking of starting A Thing where I post pictures of Hugh Jackman on a weekly basis. Why, you ask? Well, the answer is self-explanatory, I think. Hugh Jackman is a wonderful human being and ought to be blogged about. So anyways, that might be A Thing. Now you’re forewarned of the possible awesomeness to come.


See you when I see yoooooouuuu!


This morning I went on a bike ride. A bike ride that, in any other circumstances, would have been harmless. Unfortunately, today it was 50°Fahrenheit and raining. And I was wearing shorts and a T-shirt.

Needless to say, it was rather trying. However, I knew that I couldn’t turn back. Why? Two reasons:

  1. I am brave, unafraid, and willing to face any conditions in the name of exercise.
  2. I live in the middle of the country, had no phone on my person, and was surrounded by either trees or bars.

(But that’s irrelevant.)

The point is, even though I was entirely numb and freezing and feeling crappy, I continued. I didn’t really have a choice, of course, which makes this whole scenario a little less noble, but the point is that I continued biking through the rain for a whole hour.

Writers face the same sort of challenge.

First drafts are beasts for almost anybody. Everyone likes the notion of pounding out a first draft. Everyone wants to be able to say, “Well, you know, I’ve finished writing a novel…” But we all find out that it isn’t as easy as that. I’ve started countless stories and have hit the 20-page mark only to let them fizzle out and die. And while the idea of Finishing A Novel is certainly attractive, I usually end up procrastinating anyway. Conversations like these are not uncommon in my mind:

“I should write something today.”

“But I don’t want to!”

“How will I ever finish my draft if I don’t?”

“You can write another time. You should check your email like you’re OCD instead.”



My Inner Distraction is very persuasive sometimes. Most of the time, actually. And I’m sure that lots of people suffer from the nasty procrastination virus, as well. But knowing that other people are lazy writers doesn’t really help.

So…what does help?

Well, I could prescribe a bunch of supposed writer’s block remedies, including NaNoWriMo, Write or Die, word wars, and lots more. And while these certainly help (NaNo in particular), none of them are particularly tried-and-true. Having word wars doesn’t automatically mean you’re going to finish your first draft in a month. Going to Write or Die may not increase your daily word sum. In fact, it could move you to throw your computer out your window in a fit of anger. And while NaNoWriMo certainly helps me write a lot for the month of November, it doesn’t help for the 11 other months in the year. So, really, there’s only one simple solution:

Sometimes, you just need to sit down and write.

Don’t waste time trying to find the special cure to writer’s block, because the only cure to writer’s block is writing. Duh, guys. And in order to write, you kind of have to…write. Plop down in front of your computer or notebook, and write. Maybe you don’t feel like plodding forward in your first draft. In that case, write a random excerpt. It may even give you inspiration to write in your regular novel. Who knows? But in order to get inspiration, you need to start writing. Anything. Everything. THE POSSIBILITIES ARE ENDLESS, PEEPS. JUST WRITE.

I’m sure some or most of you have heard that writing is like a muscle. You need to exercise it regularly in order to get better at it. And while this simile is a little overused at times, it couldn’t be truer. The more you do it, the better you’ll get. And the more you do it, the easier it will be to just sit down randomly and write. Take that, writer’s block.

And yes, this is a simple, somewhat overused writing tip. But it will never get old, so why not reiterate it?

Sometimes you just need to sit down and write.

So…go write something.

(Afterthought: While it’s true that the aforementioned writing tip helps most of the time, sometimes other techniques can help, as well. I find it particularly helpful to think of Hugh Jackman.)

Hugh Jackman1

No, peeps, I’m not going to talk about geometry. Y’all can heave a collective sigh of relief. (Geometry. Sucks.) The real subject of the post is quite different.

You probably have read a book series in your lifetime in which one (or more) of the books was unnecessary. Well, maybe it was necessary for plot points and such, but it dragged and you just didn’t like it. I know I have. (Magic Study, anyone?)

No author would intentionally write a dull book (at least, none that I can think of…). But there are really no set rules to deciding how many books you want to include in a series. There’s a huge trend going on in YA novels in which trilogies are now a thing. I’m not exactly what started the trend, but it’s…a thing now. I personally prefer stand-alones or duos, just because no book is so spectacular and amazing that you’ll remember every single plot point and I like remembering stuff so that I’m not terribly confused. When I read UnWholly, the sequel to Unwind by Neal Shusterman, I couldn’t remember much of the climax in the first book, and had to patch together memories as they slowly returned. This problem obviously presents itself with duos, as well, but it isn’t quite so hard to keep track of everything.

It sounds like I’m dissing trilogies, and I’m not. Well, sort of. I’m sick of reading them, but that doesn’t mean that every trilogy is awful. I love the Hunger GamesUnwind, and Hex Hall trilogies. And yes, 95% of the time the author just feels that the story needs 3 books and isn’t trying to follow the trend or anything. But I’m just sorta tired of trilogies.

But it all comes down to the author and the story (duh). If the story won’t need any follow-up and will end somewhat definitely, then one book is all you need. If there’s too much information to contain in one novel, then two or three books would be a better choice. The novel I’m currently working on (that is, pretending to) is about a Royal Warrior who gets caught up in the planning of a revolution in book 1. The revolution itself will take place in book 2. But the story isn’t complex enough for me to extend it throughout three or more books. Therefore, I’m making a duo. Simple.

Lately, authors have been sticking to shorter series, typically trilogies or stand-alones. But there are series that extend for longer periods, and, strangely enough, most of the authors who write long series write them well. Take, for example, the Harry Potter series by J.K. Rowling. I love Harry Potter. It’s one of my favorite series (if not my absolute favorite). There are seven books in all, and each book is increasingly longer. Yet I never got bored of the plot (except a little in Chamber of Secrets–my least favorite book of the series). Rowling gives each book a plot of its own (the first deals with the quest for the Sorcerer’s Stone, the second, the search for Ginny and the mystery of the Chamber of Secrets, et cetera), but everything ties into the main plot: Voldemort’s rise of DARKNESS AND DOOM. *evil music* The seven books were all connected, yet they didn’t each dwell on the one subject of Voldemort and his evilness, and so on. It was rather ingenious. So, longer series can work out very well–you just need to be a really good author. Other examples of longer series that were epic are the Prydain Chronicles by Lloyd Alexander and the Percy Jackson series by Rick Riordan. Check them out. You might like them.

Moving on.

Unless you live in a hole, you’ll know that there’s been a lengthy trend in YA fiction of writing dystopia. Or utopia. FUTURISTIC NOVELS, okay? Most of these novels are parts of trilogies. And I’ve found there’s a simple formula for these novels:

Book 1: Protagonist lives in this awful society. He wants to change it (or maybe doesn’t), but it seems impossible. He meets people who want to rebel. Something happens that sparks this rebellion (small or large).

Book 2: There’s a rebellion building as all the people who have been lying around doing nothing for all these years realize that the government is corrupt and evil and stuff. People start rising up in protestation and so forth. The rebellion breaks loose.

Book 3: WAR. (Widows, orphans, a motherless child…Ahem. Sorry.) The government is falling. The protagonist probably has some scars by now, and is likely involved in a love triangle. The rebels win the war, and a new, happy government starts. The love triangle is resolved, possibly tragically. The end.

Not every YA futuristic novel follows this formula, obviously. But there are a good number that do. This type of story-arc is perfect for a trilogy. Except…sometimes not. Sometimes books drag. (Like Mockingjay.) Sometimes there isn’t enough information and action and stuff happening to make the story interesting. But the author’s in a pickle because the story can’t possibly fit into two books, yet three is too many. Such problems.

But it’s up to the author. And the characters. And the plot. The characters need to grow over the space of the book(s). The plot needs to build nicely and then resolve over the space of the book(s). And only the author will know how many books it will take. I’m not telling you to write a stand-alone, or a duo, or a trilogy, or a whatever. This is just me flinging my opinion into space because I like to do that. Any number of books satisfies me if they’re all written well and enjoyable. It’s SO SIMPLE!

Wow. This is a lot of disjointed craziness. Um…I’m just gonna click Publish and stop thinking, savvy?

See you when I see you. If I see you. Ever.

The Teens Can Write Too! blog chain topic for March is…

Write a letter to an antagonist.

(And yes, I needed to blockquote that.)

After long deliberation, I have finally decided to write to Bane, the principle antagonist from The Dark Knight Rises. There will be spoilers in this letter, so beware. I am experiencing so many feels…but here goes.

Bane, Evil Mastermind

205 Oblivion Avenue

Inferno, The Realms of Death


Dear Bane,

I don’t think you meant to be an evil terrorist.

You spent a long time in that prison. All those years damaged you, almost irreparably. But you helped Talia. You protected her, and helped her escape. You loved her. And that is why I don’t think you’re absolutely evil.

In the first scene of the movie, you’re pretty epic. All macho dude and everything. But why take all that epicness and try to ruin Gotham? Why did you need to channel your abilities into destruction? Revenge? Love? Hate?

Think of everything you could do if you weren’t so evil. You probably have the physical strength of three men combined, and are a strategist to top that. You’re brawn with brain. It would have been so much better for Gotham–and for you–if you had decided not to blow lots of things up. For one, you wouldn’t be dead.

And there we have another thing. When you’re evil, you have to make the right friends. You also have to avoid the worst enemies. Yes, Batman is the main person I’m talking about here. Of course he would never join you–you’re pro-bomb and he’s anti-bomb–but what about Selina? If you had played your cards more carefully, you could have kept her on your side. If you had done that, well…you probably wouldn’t be dead. Locked up, maybe. But not dead.

It’s all about choosing your enemies, Bane. And choosing your friends. Which you did with Talia. You helped her escape so long ago. There was at least a shred of goodness in you then. What happened to it? What stamped out that sympathy? It was inevitable that you would be hardened, toughened from your years in prison. Couldn’t you have tried to overcome it, though? Couldn’t you have chosen to be good?

I’ll admit it, I cried when you died. Sobbed is more like it, actually. And these are the reasons why:

1) Okay, despite the mask, you’re kind of attractive. Mainly in the first scene, I suppose. But still.

2) I cry over the death of any well-developed villain. It’s a fact.

3) But the main reason why I was so stricken by your death was because I wished you had become a better person. I wished you hadn’t died the villain. I wished you could have redeemed yourself, somehow, and moved on from the bitterness eating away at your soul. You had it in yourself to do that, and yet you chose not to while you lived. And for that, I am truly sorry for.

Okay. Enough with the mushy stuff. Let’s move onto the lighter fare.

First off, can you teach me how to fight? Your fighting is just spectacular. The combination of strength and agility works so well. Props to you.

Also, where do you even get masks like that? And how much do they cost? Did you rob a bank in order to purchase it? ‘Cuz I’m getting the feeling you didn’t have much pocket money back then. And is it a coincidence that that particular mask makes your voice sound like a techno Darth Vader? Or did you order it specifically for that purpose? Because…dude, that’s just cool. It looks a little primate-ish, but it’s still cool.

Oh, oh! This is a question I’ve been meaning to ask an antagonist…How do you come up with all of the melodramatic phrases? “The fire rises.” “Peace has cost you your strength! Victory has defeated you!” I must applaud you; you didn’t say many overly dramatic lines during The Dark Knight Rises. But there were some. There must be a book out there…Inspirational Quotes for VillainsHow to Speak Pithily–World Domination Edition? Please, I’d love to know.

That’s all I have to say, Bane. If you’d like to reply (as you can see, I have many questions for you), feel free to write back. Maybe we can be penpals? I could offer you healing and advice, if you’d like.



24601 Rainbow Road

Insanità, Imaginaerum


Read more!

March 5th –   

March 6th –

March 7th –

March 8th –

March 9th –

March 10th –

March 11th –

March 12th –

March 13th –

March 14th –

March 15th –

March 16th –

March 17th –

March 18th –

March 19th –

March 20th –

March 21st –

March 22nd –

March 23rd –

March 24th –

March 25th –

March 26th –

March 27th –

March 28th (We’ll announce the topic for next month’s chain) 


Also, that letter was a little disjointed. Sorry for that. I hastily wrote it today (as I had procrastinated for the entire month of March), so it was a hurried sort of thing.

P.S. Les Mis is released on DVD today! For the record, I did buy it. Now it’s your turn. HELP THE DREAM LIVE ON. BUY LES MIS.

Good Things Come to Those Who Are Bored In History Class..

Hailing from my awesome friend Erin’s blog, this post is awesome. Kilian is awesome. So there.

You have to admit it. Villains love to talk.

They don’t mean to be so talkative. Villains are supposed to be cool, dangerous people who don’t say anything and just nod at their ax man to chop off people’s heads. But a lot of authors end up making their villains talkative, and therefore giving the hero plenty of information to defeat the villain with.

For instance: Let’s say Joe is the villain, and Sam is the hero. Sam is just going along, la-dee-da, and gets caught by Joe’s henchmen. OH NO. So Sam is being all brave and stuff, struggling against his handcuffs, whatever, and stares up at Joe insolently as Joe paces back and forth in front of him. Joe clasps his hands behind his back, looking for all the world strong and lethal and all that good villain stuff.

And then Joe begins to talk.

Actually, first Joe laughs his evil, maniacal laugh. (That’s a whole separate post in and of itself.) And then he begins to talk. Usually it goes something like this:

“Oh, dear Sam, why struggle? Your strength is no match for my evil awesomeness. In a little while, I will have you sent to my chambers of doom where you will be killed very slowly and very painfully. After you are dead, I will use my minions and my secret ninja power which no one knows about (SHHHH!) to take over the world. First I will attack New York, zeroing in on the Empire State Building. Then I will move onto the other larger cities, et cetera, et cetera. You shall be helpless to my incredible power! Because you will be dead! MWAHAHAHAHAAAAAAAAAA!”

In doing so, Joe has effectively told Sam everything he needs to know. So if Sam escapes (which he will, because he’s the hero, and, sadly, heroes tend to have superhuman survival powers), he’ll know exactly how Joe will take over the world, and will be able to thwart him easily.

This makes the villain seem dumb.

Villains are not supposed to be dumb.

See, villains are supposed to be smart. They have to be incredibly smart to take over the world. Duh. But it always seems that the villain’s smartness completely fails him once he has the hero under his power. Once that’s accomplished, it’s perfectly fine to reveal his nefarious plots of doom, because of course the hero won’t escape. You would think after alllll of those stories of hero-survival, villains would pick up the hint that maybe it isn’t okay to tell your worst enemy everything they need to know to defeat you.

Of course, the villain could be so full of himself that he really believes the hero won’t escape. In this case, why does it matter if the hero knows what’s up or not? He’ll be dead anyway. No matter what the villain thinks will happen to the hero, there is no scenario in which it would be good to keep him so informed. It’s just DUMB.

I recently finished reading the Percy Jackson series (mini-celebration! I’ve completed the first goal on my 2013 reading challenge!), and while I really enjoyed the books, Rick Riordan fell into this trap occasionally (okay…pretty often). As the series progressed, he didn’t do it as much, but in the beginning of the series, he let his villains talk. And that was how Percy could escape them all (most of the time…all of the other times Percy just used his wits, of course. Or Annabeth’s. ‘Cuz she’s the smartest. Or they didn’t escape at all and died. I’m kidding. Maybe). While this talkative-villain alternative is definitely convenient for the author, it’s really annoying to read it. I have to suppress an urge to roll my eyes and/or throw the book down in irritation when I come across this kind of scenario. It just gets old. And boring. And also, the reader can tell that the author didn’t really want to put much effort into this part, because otherwise the hero would find everything out using his brain.

But as an author, this option can be…very tempting. Why go to all the trouble of writing extra scenes when you can dole out all of the information in one? From a length perspective, this looks very appealing. You know you’ll have to cut thousands of words from your novel anyway; why ramble when you know you’ll just cut it? Well, I can assure you that while going to the trouble of making your hero find things out the hard way is irritating at best and downright frustrating at worst, this option is a lot better than just handing the information over with a cherry on top.

In other words, if your villain ever feels like going on a spiel about his plans to your hero, it’s time to get out the duct tape. For the good of the story. And the world.

Meet Mary-Sue

Posted: December 18, 2012 in Writing
Tags: ,

Hello there.

Yes, I am two days late in blogging. *gasp* Mad Christmas preparations possibly involving cookie dough and random dancing was the cause of this very slight delay in posting. However, now I’m here. YAY.

Anyways, onto the topic of this post. The topic I am about to address is a thing all writers fear…it is a syndrome exceedingly difficult to elude…it has immense destructive powers that can slaughter your novel in a single chapter…

The dreaded Mary-Sue Disease.

Perhaps you are thinking, “What the heck is a Mary-Sue?” Well, a Mary-Sue is a character [a female character in this case; if the character is male the term is switched to Gary-Stu in order to be gender appropriate] who is simply too virtuous, too talented, and too good to be true. A Mary-Sue character is pretty much a perfect person, in a way. You can read more about it here.

But I am not writing this post in order to just explain what a Mary-Sue is. I am writing it to assist in the fierce, constant battle against the Mary-Sues that invade novels today. There are many novels which I have read in which the protagonist (or a love interest; this is also very common) is, well, a Mary-Sue. And let me tell you, reading about that character is like intentionally torturing myself. I often feel like destroying the character–who cares that they aren’t real?!–before the end of the novel.

As I write, I try to avoid creating Mary-Sueish characters. I truly do. Before I begin writing a new novel, I typically fill out a simple character questionnaire for each major character and make sure that they don’t have any Mary-Sue qualities. Some of these qualities are difficult to avoid, and I don’t believe that it’s a bad thing to use them in a character, as long as it isn’t superbly overdone and makes the character annoying/unbearable. For example, let’s say you have a character who has been raised in extreme poverty. While this can be a Mary-Sue quality, I really don’t think that such a thing cannot occur in good fiction. If your character, along with being raised in extreme poverty, has ALSO been abandoned by his/her caregivers, has ALSO been chosen as ‘The One’ in a major prophecy, ALSO manages to completely reform the villain by the end of the story, ALSO is incredibly beautiful/handsome, ALSO has every essential magical power, and ALSO angsts constantly about everything, then yes, I would consider that character to be a Mary-Sue. But if your character is raised in extreme poverty and is The Chosen One (though this smells faintly of Harry Potter–though he wasn’t exactly raised in extreme poverty), then I wouldn’t really think of that character as a Mary-Sue. Especially if the story is executed well.

What I’m trying to say is that Mary-Sues are terrible. But qualities attributed to Mary-Sues shouldn’t always be treated like the plague, as in the example above.

Okay. That was my optimistic side. Time for my pessimistic/cynical side on the matter.

To begin with, nobody–I repeat, nobody–likes a Mary-Sue. And if some person in the world indeed does like Mary-Sues, then, well…that’s your problem, not mine. But I think I can speak for the majority of readers when I say that Mary-Sues are a big turn-off.

For us authors, though, sometimes writing a non-Mary-Sue can be challenging. Sometimes I’ll be writing away, la dee dah, and then my character is in a tight situation and all that comes to my mind is, “No! She has to survive so that she can save so-and-so! Uh…Let’s just say that she’s talented with throwing knives.” And then my character gets out of the situation and all is fine.

But it isn’t.

Because in that instant, what I think is a harmless decision could begin the transformation of my character from a well-rounded individual to a…Mary-Sue. That one decision in an of itself doesn’t ruin the character, not by any means, but if I continue to give my character these handy little traits for when she needs them, soon my character will start to resemble Superman, in that she can do pretty much anything to  help herself and others out of bad situations.

What I try to do in these moments of temptation–the moments where I feel an urge to make that one little upgrade to my character, and thereby embarking on the road to Mary-Suehood–is ask myself if my character really needs this quality, or if I’m just trying to find an easy way out of an undesirable moment that the character might be in. More often than not, it is the latter case. If it turns out to be the former, then I have the motivation to go throughout the rest of the novel and add that quality to my character. If I don’t, then readers will certainly feel like the author just pulled a nice trait out of a hat and plopped it in the story. Which isn’t a good thing.

Another Mary-Sue case that I’ve read much too frequently, and am guilty of it myself, is the Mary-Sue romance. In which one person in the couple is instantly attracted to the other, who may not be quite as interested but quickly falls in love. I am always, ALWAYS tempted to do this in my stories. I never feel like waiting, I want my characters to stop fooling around and acknowledge the fact that they’re perfect for each other.

The thing is, I have read many novels which employ this scenario, and I hate it every time I read of a new couple entrapped by the Mary-Sue romance snare. And every time I make a private vow never to do that in any of my own novels. Yet I always have that urge to speed it up, make the two characters so attracted to the other that when their eyes meet it’s like LIGHTNING STRUCK THE AIR BETWEEN THEM.

This is not good.

So what do I do about it? Well, to be frank, I haven’t quite mastered this problem of mine. I’m still in the process of doing so. But really, all I can do is just force myself to take a deep breath, and think about how real the romance is. I imagine what it would be like if these characters were real people and they were in love in real life. And I often come to the conclusion that anybody, upon hearing their story of romance, would be highly skeptical. The truth is, no matter what genre you are writing in, every romance has to be real. Unless you are writing about otherworldly aliens who fall in love at five times the rate humans do. In that case, you are free to pace the romance however you please. But when we’re talking about humans, people don’t just fall in love in two seconds. That’s just not how it happens. So, I always try to think of my character’s romance as a real thing. And when I use that strategy, I can usually begin to remedy my love-at-first-glance urges.

In conclusion, I will share with you all a link to a Mary-Sue test that you can take for your characters, if you so please. I usually take it for my main character and the love interest, if there is one in my novel. Perhaps you will find it useful, too!

On a side note, I’ve made the so very important decision that in addition to blogging weekly (every Sunday; I’ll keep that up unless a better day of the week works better), I’ll blog whenever I feel like it, too. Because I often feel the urge to write long spiels on random nonsense and publish it for the world to see. Right.

Anyways, see you on Sunday! Between now and then, however, remember to watch out for strains of the Mary-Sue disease that could pop up in your writing. If you spot any of the symptoms–including but not limited to characters you know people would be irritated by, unhealthy romance, or a rash on your fingers after typing in your novel–call 1-800-627-9783 to receive your official medical diagnosis, or visit for more details on this disease and how to combat it.

Writing Through the Snow

Posted: December 10, 2012 in NaNoWriMo, Writing
Tags: , ,

Look! Drifting down through the little pixels! It’s snow! Which means that the time is near to celebrate that wonderful holiday of Christmas! I don’t know about you, but in my house the Christmas tree hasn’t even been brought up from the shadows of the basement yet. As such, I’m not feeling very Christmas-y. Ah, well. There’s always next week for those mundane trivialities.

Because of the Christmas festivities, I haven’t been doing much writing. However, in November the case was severely different. I participated in National Novel Writing Month, details of which you can access right here. I really don’t feel like explaining the whole ordeal, so if you want specifics, LOOK ELSEWHERE. Basically, you try to write a 50,000 word novel in the month of November. This year was my second year, and I just barely reached 50K by November 30th. I still haven’t finished writing the novel itself–I’m nowhere near that point, in fact; I would estimate myself to be about halfway through–and I am beginning to wonder if I ever shall do so. However, I would still like to share a bit about the novel with you lovely people in the blogverse. Oh, dear. That sounded truly foolish…”I’m going to SHARE my novel!” Er. Note to self, Andrea: You are not blogging to a group of first graders.

Anyways. This novel is titled Cross Dimension and is in the science fiction genre (which you would very probably gather from the summary, but I figured I’d let you know this anyway.). My typical genre is fantasy; it’s my favorite to read and my favorite to write. But this year, the idea literally sprang into my head and there was nothing I could do about it. However, now that I’m well into my genre-switching venture, I still greatly prefer writing fantasy over science fiction.

ANYWAYS. The summary. Right. *hastily activates clapping machine* *clapping machine is broken* *weakly claps alone*


Cross Dimension, a summary

What would you do if you were singled out to incite a war? Futuristic America seems to be a smooth-running operation. The numerous alternate dimensions existing alongside Earth have caused no trouble to anyone thus far—but a war is brewing between the dictatorial ruler of the dimensions and Earth. When Arialle is brought to a government laboratory, she has no idea what to expect. She soon learns that she alone is the one who can unlock seven data keys that will, in turn, grant Earth access to supernatural weaponry that will no doubt tip the scales of the impending war in their favor. To unlock the keys, Arialle must journey to various dimensions, under guise of differing bodies, and find the people who, unbeknownst to them, hold the data keys locked in their minds. Accompanying Arialle is Rin, a harsh, austere man, one of few anomalies who can travel between dimensions unharmed. During their journeying, Arialle and Rin will face ghastly otherworldly creations, a ruler with a slipping grasp on her domain, and their own pasts. But the most difficult task of all will be answering to their consciences…and deciding where their loyalties truly lie.


Along with this shiny little summary, I would like to show you the cover I created using my own photography and online photo editing sites. I mainly used PicMonkey and Pixlr Express (both of which are excellent sites and should be universally used!) for this cover.

And…here it is!

Cross Dimension Nano

During November while I was actively writing Cross Dimension, I was so excited about it. Unlike the previous year’s novel, I really enjoyed writing Cross Dimension and didn’t get sick of it.

Now that November has come and gone, however, I’m starting to feel the first draft blues. And I haven’t even finished the first draft. How pathetic is that? Nonetheless, once a few weeks have elapsed (and once the Christmas season has died down), I intend to return to Arialle and Rin and force them to pump out a first draft.

The problem is, I am a semi-perfectionist. NaNoWriMo forces me to write without worrying about clunky sentences and meaningless dialogue, but once November ends, that irritating little Inner Editor comes out of his month-long coma. This isn’t a bad thing, really. I personally don’t think that we should all write like it’s NaNoWriMo time; never worrying about proper spelling or grammar, not once taking the time to create well-formed characters or develop strong plot arcs. I think that the editor inside all of us can help to hone our writing into what we truly want it to be. But there comes a time when it’s just too much. Perhaps you have experienced this yourself; that feeling that no matter what you write, you’re always compelled to go back and change a tiny detail. I know that I certainly feel a need to make every sentence perfect, every snippet of dialogue realistic but at the same time adding meaning to the story.

This trait of mine–or curse, rather–is the practically OCD, perfectionist part of my mind that refuses to let any piece of writing be less than perfect.

The truth is, though, that no first draft will ever be the final draft. Simply put, such a thing is impossible. You shouldn’t feel bad if your first draft is a piece of crap (I can assure you, so are mine). That isn’t a sign of mediocrity; it’s normal.

Revisions are always necessary. Even the greatest of novels were not written merely in one draft.

In conclusion. The happy medium is your bestest friend here. It isn’t healthy to feel terrible about your first draft…nor is it healthy to believe that your first draft is your final draft. Find the medium between the two; knowing that your novel is not the best it could be, yet realizing that you have the ninja power within you to fix up the crappy parts and make your novel shine.

Oh, dear. Now I’m starting to become all sentimental. “Be yourself!” “You’re perfect just the way you are!” Nope. Happy medium, remember? I’ll leave the sappy, honeyed words to One Direction, as they’re great at coming up with slews of feel-good phrases with lots of cheesy sauce on top.

So. After that heart-wrenching, tear-cranking, thought-provoking post, all I really have to say is…Merry Christmas. Enjoy the pretty (and sometimes blinding/dizzying) snow. And if you live in an area in which it does not snow, then enjoy the pretty (and not blinding/dizzying) snowfall on my blog!

See you in a week! [Or sooner. Or later. Or never. You never know, I could be captured by the RTA (The RTA is in and of itself an absolutely confidential matter, so don’t be surprised if you have no idea what I mean.), tortured day after day, and finally slain in a noble and possibly heroic manner. Perhaps saving a loved one. Or the entire world. You never know when these things might happen…]